Baldwin, Stanley E. Charles
Kingsley (Ithaca: Cornell University Press, 1934).
This is a book length treatment of Kingsley's life and works.
After chapters providing a brief biography, a discussion of the background
of the novels, and a consideration of the influence of Carlyle and Maurice,
Baldwin devotes separate chapters to each of the novels: Yeast, Alton
Locke, Two Years Ago, Hypatia, Westward Ho!, and Hereward the Wake.
Baldwin is measured in his assessment, though he still finds much to praise
in Kingsley's diverse literary endeavors. Nevertheless, he considers Kingsley
the man as more prominent than his literature. "Some men's writings
are the greatest part of them, and posterity studies their lives through
a spirit of curiosity excited by their works. In a sense this is
true of Kingsley, but in a truer sense many are reading Kingsley's literary
works because of the indelible impression his personality made upon his
fellow men, for whom, in all his activities, he labored. His life
in itself was a poem of deep lyric passion" (194).
Full Book Treatment;
Overview;
Carlyle;
Maurice;
Yeast;
Alton
Locke; Two Years Ago; Hypatia;
Westward
Ho!; Hereward the Wake.
Brantlinger, Patrick, “Bluebooks, the Social Organism,
and the Victorian Novel,” Criticism: A Quarterly for Literature and
the Arts Vol. XIV, No. 4 (Fall 1972): 328-344.
Brantlinger discusses how several early Victorian writers were influenced
by parliamentary bluebooks and other official and social investigations.
He briefly refers to the example of Lancelot, hero of Kingsley’s Yeast
who immersed himself in a plethora of bluebooks and other reports in his
examination of the ‘Condition-of-the-Poor question'. It was partly
though the study of such reports that Lancelot's social conscience was
stirred.
Bluebooks; Yeast;
Social
and Political Novel.
Brewer, Elizabeth. “Morris
and the ‘Kingsley Movement',” The Journal of the William Morris Society
Vol. IV, No. 2 (Summer 1980): 4-17.
Brewer examines the possible influence Kingsley’s works may have had
on Morris. She believes that it is very difficult to specify categorically
that there was a direct influence, though there are many instances where
the thought of both men overlapped. She discusses, among others, the attack
on celibacy and asceticism in The Saint’s Tragedy and Hypatia;
Kingsley’s stress on the importance of the environment in Yeast;
the socio-political ideas pervading Alton Locke; Kingsley’s belief
in the value of art, an awareness of one's heritage, and the pleasures
of rural life to the ordinary working man; the use of the dream device
in Alton Locke; the romance as well as the Norse element of Hypatia.
Morris, William;
Saint’s
Tragedy, The; Hypatia;
Alton
Locke; Westward Ho!; Yeast;
Celibacy;
Social
and Political Views.
Cazamian, Louis. The Social Novel in England
1830-1850: Dickens, Disraeli, Mrs. Gaskell, Kingsley Trans. Martin
Fido (London: Routledge and Kegan Paul, 1973; first published in French
in 1903).
Cazamian provides a lengthy examination of Kingsley's life and works,
focusing on his Christian Socialist activities and, particularly, on how
Christian Socialism is represented in his novels, Yeast and Alton
Locke. Cazamian considers Kingsley a "gifted writer" who employs
these novels as a "propaganda vehicle" to describe the age's "most vital
aims and ideals" (241).
Overview;
Social
and Political Views;
Christian Socialism;
Alton
Locke; Yeast;
Novels.
Chapman, Raymond. The Victorian Debate: English
Literature and Society 1832-1901 (New York: Basic Books, 1968).
Chapman briefly discusses Kingsley’s major social and political novels,
Yeast
(1848),
Alton
Locke, Tailor and Poet (1850), Hypatia
(1853), and
Two Years
Ago (1857). He also mentions The Water Babies (1863) for
its treatment of child labor and social justice. Chapman declares
that Kingsley wrote in fiction about some of the topics with which Maurice
was dealing in more theological terms. “From Maurice he learned that
the needs of the time could be a pragmatic sanction for Christianity; from
Carlyle, how to subordinate reason to emotion. The combination was,
to say the least, a lively one. Like Samuel Butler, so different
in other ways, Kingsley wrote best about those things which he had made
into a personal grievance” (135).
Social and Political
Novel; Yeast; Alton
Locke; Hypatia; Two
Years Ago; The Water Babies.
Dawson, Carl. "Polemics: Charles Kingsley and Alton
Locke," in his Victorian Noon: English Literature in 1850 (Baltimore:
Johns Hopkins University Press, 1979): 179-202.
Dawson provides an overview of Kingsley’s character, his social and
religious views, especially those on Roman Catholicism, and his involvement
in and his diverse attitudes towards socialism. He discusses Alton
Locke, “perhaps one of the oddest literary documents of nineteenth-century
England” (180), declaring that its recognition in modern times owes something
to Kingsley’s treatment being relevant to contemporary Marxist assessments
of literature. “Kingsley articulates the sense of waste in
his protagonist’s life; he equates Alton with the social upheavals of his
age, setting him against middle-class virtues and assumptions; and he creates
in Alton a psychic battle between social activism and pastoral escape”.
In addition, “Alton Locke could figure in the survey that
Georg Lukács, makes of the middling hero in nineteenth-century historical
fiction” (201).
Overview;
Social
and Political Views;
Religion; Catholicism;
Alton
Locke; Yeast.
DeLaura, David J. “The Context of Browning’s
Painter Poems: Aesthetics, Polemics, Historics,” PMLA Vol. 95, No.
3 (May 1980): 367-388.
DeLaura contends that the neo-Catholic art thesis of Alexis François
Rio as set forth in his 1836 De la poésie chrétienne
is essential for an adequate interpretation of Robert Browning’s painter
poems of the 1840s and 1850s. He also discusses how Kingsley was
earlier influenced by Rio’s work and argues that Kingsley’s artistic views
and his rejection of the Rio thesis constituted an important source for
Browning’s artistic ideas. He examines the passage in Yeast
where Kingsley has Barnakill present a Protestant view of art and a repudiation
of the Roman Catholic approach to art. He also discusses Kingsley’s
treatment in Alton Locke where he “uses the context of painting
to develop the more positive aspect of the new Protestant aesthetic of
realism” (377). Moreover, DeLaura, in his examination of Kingley’s
review of Jameson’s 1849 Sacred and Legendary Art, sees his antipathy
to Rio’s Catholic view of art to have a strong sexual basis. In this
work his “tone of intense leering and almost scurrilous derision . . .
is a measure of how deeply disturbing and threatening Kingsley found the
new ‘ascetic’ rewriting of art history” (377).
Browning; Art;
Catholicism;
Sexuality;
Yeast;
Alton
Locke.
Devonshire, M. G. The English Novel in France:
1830-1870 (New York: Octagon Books, 1967).
Devonshire discusses the reception of Alton Locke, Yeast, Westward
Ho!, and Two Years Ago in France during the third quarter of
the nineteenth century and provides short extracts from some of the reviews.
The French, declares Devonshire, did indeed praise Kingsley for the literary
value of the novels, though they objected to the excessive sermonizing.
However, the main interest of the French lay in the novels’ social, political,
and historical background and their attitude to reform rather than in the
actual stories.
France, Critical Reception
in; Alton Locke; Yeast;
Westward
Ho!; Two Years Ago.
Engelhardt, Carol Marie. “Victorian Masculinity and
the Virgin Mary,” in Andrew Bradstock, Sean Gill, Anne Hogan, and Sue Morgan
(eds.) Masculinity and Spirituality in Victorian Culture (Basingstoke,
U.K.: Macmillan, 2000): 44-57.
In this article Engelhardt considers how the understanding of the Virgin
Mary of three Victorian clergymen, Kingsley, Edward Pusey and Frederick
Faber, was related to their view of contemporary masculine identity and,
in particular, how each used the Virgin Mary to define his own masculinity.
Kingsley's dislike of Mary was, as Engelhardy points out, understandable
for one who hated Catholicism. However, she also relates his antipathy
to the power that Catholics ascribe to Mary. Kingsley shared the
common Victorian view of the domesticity of women and that it was the role
of females to inspire men but that they themselves should not aspire to
power. Engelhardt also contends that Kingsley's hostile attitude
to Mary was related to fears about his own masculinity. Early in
his life Kingsley himself had felt a pull towards Catholicism, a
religion he later came to view as female-oriented and therefore unmanly.
"It was no wonder, then, that Kingsley felt compelled to reject vociferously
the most feminine part of this allegedly effeminate religion. Kingsley
was not just denouncing Mary; he was repudiating what he considered to
be his own weakness and error in desiring Rome" (47).
Virgin Mary;
Manliness;
Catholicism;
Yeast.
Faber, Richard. Proper Stations: Class in
Victorian Fiction (London: Faber and Faber, 1971).
Faber discusses Kingsley’s views on class relations focusing in particular
on the novels Yeast and Alton Locke. He also pays especial
attention to a comparison and contrast of these views with those of Disraeli.
Because of his belief in a Christian Brotherhood, Kingsley was more genuinely
democratic than Disraeli. He also had less interest than Disraeli
in the place of old blood and family. Both men, however, conscious
of social problems pervading the working classes, wished to improve the
condition of the people through such intervention as better sanitation,
increased church action, and greater involvement of the upper classes.
Still, contends Faber, both men, despite some radical sympathies, were
essentially Conservatives, Kingsley becoming more conservative as he aged.
Nevertheless, Kingsley who wished that upper class qualities be more widely
disseminated among all classes, was not rigid in his opinions on class,
mainly due to his notion of a Christian Brotherhood. “The ideal of
Christian Brotherhood may have encouraged some illusions about existing,
or impending, class relations; but it saved Kingsley from the sense of
caste that oppressed so many of his contemporaries” (96).
Social
and Political Views; Disraeli; Yeast;
Alton
Locke.
Fichter, Joseph H., S. J. “The Socialism of a
Protestant: Charles Kingsley (1819-1875)” in his Roots of Change
(New York: Appleton-Century, 1939): 134-156.
Fichter reviews Kingsley’s life and principal works focusing on his
social and political thought. He is balanced in his assessment, pointing
out a number of Kingsley’s faults, prejudices, and illogicalities in addition
to his good qualities. With respect to Kingsley’s changing views
and specifically to his title of Christian Socialist, Fichter declares
that “he was no more thoroughgoing Socialist than he was thoroughgoing
Christian” (135). Fichter briefly reviews Kingsley’s condition of
England novels declaring Alton Locke to be “a tremendously effective
book” (151) and the autobiographical Yeast to be badly marred by
Kingsley’s intense anti-Catholic bigotry. Fichter concludes that
“the work of Charles Kingsley was on the whole a genuine contribution to
the improvement of man’s relation with man. His mistakes were the
mistakes of every demagogue to tread the earth, but the hand he had in
rousing social interest in English problems more than made up for them”
(156).
Overview;
Christian
Socialism; Social and Political
Views; Catholicism; Alton
Locke; Yeast.
Goldberg, F. S. “Kingsley and the Social Problems
of His Day,” The Westminster Review Vol. 167 (Jan. 1907): 41-49.
Goldberg provides a rather naive account of Kingsley’s work on behalf
of the poor and working classes and considers his views on social problems
as expressed in his novels. Though Kingsley believed that all men
are equal in the eyes of God, he was not a socialist. Rather, while
their social conditions must be alleviated, it was right that the working
classes should be governed by the upper classes.
Social
and Political Views; Yeast; Two
Years Ago.
Hall, Donald E. “Kingsley as Negotiator: Class/Gender
Discord/Discourse in Yeast and Alton Locke,” in Fixing
Patriarchy: Feminism and Mid-Victorian Male Novelists (New York: New
York University Press, 1996): 63-83.
Hall stresses the number and the range of scholars' polarized accounts
of Kingsley's views on gender issues. However, he argues that the
many diverse and conflicting opinions of this multi-faceted man are "emblematic
of an age and process of negotiation . . . . If we view Kingsley as an
active negotiator among parties holding radically divergent views, we fully
expect to find that his perspectives involve both give and take, both concession
and retrenchment" (66-67). He considers that the tensions and the
diversity of Kingsley's views mirror the complexities and confusion of
the age. He goes on to analyze in detail the class, gender, and feminist
implications in Yeast and Alton Locke.
Negotiator, Kingsley
as; Yeast; Alton
Locke; Females.
Harris, Wendell V. “Fiction and Metaphysics in
the Nineteenth Century,” in R. G. Collins (ed.) The Novel and its Changing
Form (Winnipeg: University of Manitoba Press, 1972): 59-71.
Harris discusses Yeast and Alton Locke labelling Kingsley
together with Disraeli “the most interesting examples of nineteenth-century
novelists operating within the transcendental tradition” (62).
Yeast; Alton
Locke; Transcendentalism.
Hartley, Allan John. The Novels
of Charles Kingsley: A Christian Social Interpretation (Folkestone:
The Hour-Glass Press, 1977).
Hartley in this book-length study interprets
Kingsley's novels in the light of the influence of the Christian Social
Movement. He contends that Kingsley is unusual in using novels to set forth
the message of one whom he, together with many others, viewed as the age's
greatest prophet, F. D. Maurice. "The value of Kingsley's novels ultimately
lies less in their advocacy of liberality and reform, than in their insistent
justification of both on the basis of Christian humanism. Kingsley's
inspiration sprang from Maurice whose reading of the Bible had shown his
disciple the meaning, both of Christianity and of history, and the novels
proclaim that social improvement had necessarily to proceed within the
existing framework of society, which for Kingsley meant a Christian dispensation
based on Commandments engraven on tablets of stone and interpreted by sacrificial
love. A minor prophet proclaiming a minor one, Kingsley thus added
a new dimension to the novel" (169).
Christian
Socialism; Maurice; Religion;
Social
and Political Views;
Novels; Yeast;
Alton
Locke; Hypatia;
Westward
Ho!;
Two Years Ago; Hereward
the Wake.
Horsman, Alan. “Elizabeth Gaskell and the Kingsleys,”
in his The Victorian Novel (Oxford: Clarendon Press, 1990): 256-294.
In his brief examination of Yeast, Alton Locke, Two Years Ago,
and The Water-Babies Horsman praises the clarity, the felicity and
the exactitude of Kingsley's descriptive passages, qualities that make
him "stand out among the minor novelists" (256). However, he also
faults Kingsley for neglecting his novel writing in favor of the pursuit
of his religious and educational aims that led him to take "the short cuts
of melodrama and allegory" (256). Horsman also criticizes the didacticism
pervading Kingsley's novels though he acknowledges that despite its strong
didactic elements The Water-Babies comes closest to a work of the
imagination.
Yeast;
Alton
Locke; Two
Years Ago; The
Water-Babies; Novels;
Didacticism.
Kettle, Arnold. “The Early Victorian Social-Problem
Novel,” in Boris Ford (ed.) From Dickens to Hardy: A Guide to English
Literature Vol. 6. 2nd ed. (London: Cassell, 1966; this ed. first published
1963): 169-187.
Yeast, according to Kettle, is a combination of Mrs. Gaskell’s
naturalistic style and some of the more mystical and romantic aspects of
Disraeli’s. Though it is often categorized as a religious novel,
its social rather than its religious message was responsible for its contemporary
objectionable reputation. Kettle considers Alton Locke to
be a better novel than Yeast. He praises especially its treatment
of social problems and the horrendous work conditions suffered by the tailors
in their sweat-shops. Though it is clearly a “propaganda novel”,
it is more than that. “Alton Locke, for all its crudities
and ‘dated’ quality, for all its lack of the sort of art and intelligence
one associates with those writers conscious of ‘the novel as an art form',
can still move us today” (184).
Social and Political
Novel; Yeast; Alton
Locke; Social and Political
Views.
Kijinski, John L. “Charles Kingsley's Yeast:
Brotherhood and the Condition of England,” VIJ: Victorians Institute
Journal Vol. 13 (1985): 97-109.
In his analysis of the novel Yeast Kijinski declares that the
novel despite its "bland didacticism" is very representative of the period,
the hungry forties. He argues that the novel also provides a strong
insight into a commonly held ideological stance of the time, namely that
the growing antipathy between the haves and the have-nots might be improved
without force, unions, redistribution of wealth if only all social classes
acted sympathetically and humanely in the true belief that everyone is
a member of the same common family.
Yeast; Social
and Political Novel;
Social
and Political Views;
Catholicism.
Scott, Patrick. "Charles Kingsley," in Dictionary
of Literary Biography, Volume 21. Victorian Novelists Before
1885. Edited by Ira B. Nadel and William E. Fredeman (Detroit: Gale,
1983): 195-207.
This follows the usual format of the DLB. A bibliography
of Kingsley’s own works is followed by an account of his life interspersed
with an analysis of his major writings, in this case his novels.
A short secondary bibliography is appended. Several illustrations
are also provided. Scott sums up Kingsley the novelist as follows:
‘If Kingsley never wrote a great work or an unflawed masterpiece, he can
now, in light of the new biographical evidence, be recognized as a writer
of considerable psychological complexity, one who produced searching and
imaginative responses to some of the central issues of the late 1840s”
(206).
Overview;
Novels;
Alton
Locke; Yeast;
Westward
Ho!; Two Years Ago; Hypatia;
Hereward
the Wake.
Smith, Sheila M. “Blue Books and Victorian Novelists,”
The
Review of English Studies, New Ser. Vol. XXI (1970): 23-40.
Smith considers the use by Kingsley and Disraeli in Yeast and
Sybil
respectively of the 1843 Blue book, Report on the Employment of Women
and Children in Agriculture. Echoing his brother-in-law Sir Sidney
Godolphin Osborne who had supplied evidence for the Report, Kingsley in
Yeast
rejects the common romantic depiction of the countryside as beautiful and
idyllic especially when contrasted with the ugliness and squalor of industrial
cities. Smith also declares that Kingsley in common with other Victorian
novelists used the content of Blue books to express ideals and spiritual
truths. In writing of the misery and dreadfulness of rural areas,
Kingsley "expressed his belief in man's responsibility for his brother,
gave the lie to romantic, idealized descriptions of the countryside, and
suggested the way in which the Christian Church can help redeem society"
(39).
Yeast; Blue
Books; Rural Life; Disraeli.
Smith, Sheila, and Peter Denman. “Mid-Victorian Novelists,”
in Arthur Pollard (ed.) The Victorians (New York: Peter Bedrick,
1987, c. 1970): 239-285.
Smith and Denman survey Kingsley’s novels. Yeast and Alton
Locke are his best. Yeast was the first novel devoted
to the notion that unsanitary conditions and disease existed in the countryside
as well as in the towns and cities. A “courageous” novel, it also
provided some indication “of the sexual squalor of the poor” (254, 253).
Though radical views are expressed in the novel, Smith and Denman declare
that Kingsley did not believe in democracy. “In his novels, as in
Disraeli’s, the independence of the lower orders must be achieved within
the existing class-structure” (255). Though Alton Locke has
powerful scenes, its propaganda takes precedence over the novel and its
characters. Though
Two Years Ago has some good scenes, it is a “long-winded
novel” (260). Smith and Denman have little positive to say of Hypatia
and Westward Ho!, but state that The Water-Babies is Kingsley’s
“most attractive book” (260). “Charles Kingsley is a minor novelist,
but in Yeast, Alton Locke and Two Years Ago he helped to
extend the novel’s subject matter, and to make it more serious, more concerned
with reality. He saw God, Heaven and Hell in human terms. This
was an asset to him as a novelist, and gave substance to his novels” (261).
Novels; Yeast;
Alton
Locke; Two Years Ago; Hypatia;
Westward
Ho!; Social and Political
Views.
Stoddard, Francis Hovey. The Evolution of
the English Novel (London: Macmillan, 1909; first published 1900).
In his examination of the English novel of purpose, Stoddard declares
that Yeast and Alton Locke are slighter and less important
than Mrs. Stowe’s Uncle Tom’s Cabin, the problem of slavery being
far more serious than the social, industrial and political questions dealt
with by Kingsley. Nevertheless, the latter’s novels were influential
in highlighting these questions and in so doing “notably advanced the cause
of freedom” in England (174).
Social and Political
Novel; Yeast; Alton
Locke.
Uffelman, Larry K., and P. G. Scott, “Kingsley's
Serial Novels: Yeast,” Victorian Periodicals Newsletter Vol.
IX, No. 4 (December 1976): 111-119.
Uffelman and Scott discuss the early publication history of Yeast
which first appeared anonymously in six monthly installments in Fraser’s
Magazine from July to December 1848 and which was later republished
in volume format in 1851. They pay particular attention to the revisions
Kingsley made in the volume text. In addition to tempering many phrases
which might have upset orthodox religious sensibilities, Kingsley also
added much anti-Catholic material in the 1851 book, especially in the sub-plot
concerning Luke, the Tractarian curate and Lancelot’s cousin. The
other major revision involved expanding the ‘discussion’ element in the
last part of the novel where Lancelot meets the prophet Barnakill.
This tilts “the balance of the novel towards the question of religious
belief” ( 117). With respect to the diverse revisions Uffelman and
Scott declare that “The new and topical sub-plot devoted to Luke’s conversion
to Catholicism made the novel more abstract and theological, as did also
the expanded conversation with the prophet in the last chapter. The
minor revisions, however, suggest an interesting slight softening in Kingsley’s
attitudes to more orthodox religious earnestness, and show also that Kingsley
himself had become aware of some of the unevenness of plot and tone which
serial composition had encouraged in his first novel” (118-119).
Yeast; Catholicism;
Religion;
Publication.
Vance, Norman. The Sinews of the Spirit: The
Ideal of Christian Manliness in Victorian Literature and Religious Thought
(Cambridge:
Cambridge University Press, 1985).
Vance devotes two chapters to Kingsley's life, thought, and literary
works paying particular attention to themes of the relationship of manliness
to religion in his novels. "Christian manliness was not just an ideal
in Kingsley's fiction, it was the basis of his practical work as pastor,
teacher and reformer and the essence of his life and experience" (107).
Overview;
Yeast;
Alton
Locke;
Hypatia;
Westward
Ho!; Two Years Ago; Hereward
the Wake; Muscular Christianity;
Manliness;
Newman
Controversy.
Wee, C. J. W.-L. "Christian Manliness and National
Identity: The Problematic Construction of a Racially 'Pure' Nation," in
Hall, Donald E. (ed.). Muscular Christianity: Embodying
the Victorian Age (Cambridge, U.K.: Cambridge University Press, 1994):
66-88.
Wee discusses how Kingsley used the innovative treatment of the relationship
of Christianity to race and cultural history in the novels Alton Locke
and Westward Ho! "in a process of national self-definition, through
what might be called 'cultural nationalism'." Wee argues that in doing
so "Kingsley also reveals the problems surrounding the construction of
a pure national-imperial identity based on racial and religious heritage,
as he attempted to propagate the potent but unstable image of a masculine,
charismatic, and authoritative Englishman who stands as a representative
of a resolutely Anglo-Saxon and Protestant nation-empire" (67).
Yeast;
Westward
Ho!; Manliness;
Muscular
Christianity; Imperialism;Racial
Prejudices; Social and Political
Views.
Williams, Stanley. "'Yeast': A Victorian Heresy,"
North
American Review Vol. 212 (November 1920): 697-704.
Williams discusses Yeast, paying particular attention to the
novel’s characterization and such themes as antipathy to Roman Catholicism
and the espousal of Christian Socialism. Though he discerns distinct
problems with the novel, for example its lack of genus, he praises its
pervasive sincerity and Kingsley’s palpable ardor as well as its presentation
of important Victorian disputes and movements. While students of
Victorian literature will readily discern the problems of this “potpourri”,
“they will understand the Victorians better, and so think their reading
worth while” (704).
Yeast; Catholicism;
Christian
Socialism.
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