| John Berryman's
Winter Landscape summons again the hounds, the folded wings and the cold hill of hunters coming down through dwindling trees, never to reach again the skaters, workers, watchers of their town. Those trinal peaks he will not recognize where decades past the snowfields broke and fell with gunfire echoes ringing his cold dreams. He does not show us this lone man on the bridge who stops with his dark burden as one crow flies, and beyond Bruegel steps to the rim and waves.
Virginia Hamilton Adair
The Hunters in the Snow In brown, with tall poles and a pack of hounds At heel, through the arrangement of the trees, Past the five figures at the burning straw, Returning cold and silent to their town, Returning to the drifted snow, the rink Lively with children, to the older men, The long companions they can never reach, The blue light, men with ladders, by the church The sledge and shadow in the twilit street Are not aware that in the sandy time To come, the evil waste of history Outstretched, they will be seen upon the brow Of that same hill, when all their company Will have been irrevocably lost, These men, this particular three in brown Witnessed by birds, will keep the scene and say By their configuration with the trees, The small bridge, the red houses and the fire, What place, what time, what morning occasion Sent them into the woods, a pack of hounds At heel and the tall poles on their shoulders, Thence to return as now we see them and Ankle-deep in snow down the winter hill Descend, while three birds watch and the fourth flies. John Berryman
Brueghel's Winter Wall in the wild cold scene below. Churches, farms, bare copse, the sea In freezing quiet of winter show; Where ink-black shapes on fields in flood Curling, skating, and sliding go. To left a gabled tavern, a blaze; Peasants; a watching child; and lo, Muffled, mute--beneath naked trees In sharp perspective, set a-row-- Trudge huntsmen, sinister spears aslant, Dogs snuffling behind them in the snow; And arrowlike, lean, athwart the air Swoops into space a crow. But flame, nor ice, nor piercing rock, Nor silence, as of a frozen sea, Nor that slant inward infinite line Of signboard, bird, and hill, and tree, Give more than subtle hint of him Who squandered here life's mystery.
Walter de la Mare ("squandered," in the final line, has the older sense of "scattered")
The Hunters in the Snow icy mountains in the background the return from the hunt it is toward evening from the left sturdy hunters lead in their pack the inn-sign hanging from a broken hinge is a stag a crucifix between his antlers the cold inn yard is deserted but for a huge bonfire that flares wind-driven tended by women who cluster about it to the right beyond the hill is a pattern of skaters Brueghel the painter concerned with it all has chosen a winter-struck bush for his foreground to complete the picture.
William Carlos Williams . |
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