Baldwin, Stanley E. Charles
Kingsley (Ithaca: Cornell University Press, 1934).
This is a book length treatment of Kingsley's life and works. After
chapters providing a brief biography, a discussion of the background of the
novels, and a consideration of the influence of Carlyle and Maurice, Baldwin
devotes separate chapters to each of the novels: Yeast, Alton Locke, Two
Years Ago, Hypatia, Westward Ho!, and Hereward the Wake.
Baldwin is measured in his assessment, though he still finds much to praise
in Kingsley's diverse literary endeavors. Nevertheless, he considers Kingsley
the man as more prominent than his literature. "Some men's writings
are the greatest part of them, and posterity studies their lives through a
spirit of curiosity excited by their works. In a sense this is true
of Kingsley, but in a truer sense many are reading Kingsley's literary works
because of the indelible impression his personality made upon his fellow
men, for whom, in all his activities, he labored. His life in itself
was a poem of deep lyric passion" (194).
Full Book Treatment
; Overview
; Carlyle
; Maurice
; Yeast;
Alton
Locke ; Two Years
Ago ; Hypatia
; Westward
Ho! ; Hereward
the Wake .
Bertonneau, Thomas F. “Like Hypatia Before
the Mob: Desire, Resentment, and Sacrifice in The Bostonians (An Anthropoetics),”
Nineteenth-Century Literature Vol. 53, No. 1 (June 1998): 56-90.
Bertonneau disagrees with the conventional contemporary reading of the scene
in Hypatia where Hypatia is murdered by a Christian mob. Such
reading is that the mob is a true representation of Christianity and that
Kingsley is castigating the hypocrisy and brutality of the new religion.
Rather, Bertonneau argues, just because the crowd thinks of itself as Christian
and acts in the name of this religion, it does not mean that it is in fact
truly Christian. “The truth, in Kingsley’s scene, is that the sacrificial
impulse comes not from Jesus (not from Christianity) but from the mob, which
is motivated by passion, not by compassion . . . . The mob enacts
the very impulse, namely sacrifice, that Jesus would suspend” (89).
Hypatia;
Catholicism
; History
; Henry
James .
Brewer, Elizabeth.
“Morris and the ‘Kingsley Movement',” The Journal of the William Morris
Society Vol. IV, No. 2 (Summer 1980): 4-17.
Brewer examines the possible influence Kingsley’s works may have had on Morris.
She believes that it is very difficult to specify categorically that there
was a direct influence, though there are many instances where the thought
of both men overlapped. She discusses, among others, the attack on celibacy
and asceticism in The Saint’s Tragedy and Hypatia ; Kingsley’s
stress on the importance of the environment in Yeast; the socio-political
ideas pervading Alton Locke; Kingsley’s belief in the value of art,
an awareness of one's heritage, and the pleasures of rural life to the ordinary
working man; the use of the dream device in Alton Locke; the romance
as well as the Norse element of Hypatia.
Morris,
William ; Saint’s
Tragedy, The ; Hypatia ;
Alton
Locke ; Westward
Ho! ; Yeast ; Celibacy
; Social
and Political Views .
Chapman, Raymond. The Victorian Debate:
English Literature and Society 1832-1901 (New York: Basic Books, 1968).
Chapman briefly discusses Kingsley’s major social and political novels, Yeast
(1848), Alton Locke, Tailor and Poet (1850), Hypatia (1853),
and Two Years Ago (1857). He also mentions The Water Babies
(1863) for its treatment of child labor and social justice. Chapman
declares that Kingsley wrote in fiction about some of the topics with which
Maurice was dealing in more theological terms. “From Maurice he learned
that the needs of the time could be a pragmatic sanction for Christianity;
from Carlyle, how to subordinate reason to emotion. The combination
was, to say the least, a lively one. Like Samuel Butler, so different
in other ways, Kingsley wrote best about those things which he had made into
a personal grievance” (135).
Social and
Political Novel ; Yeast ; Alton Locke
; Hypatia
; Two Years
Ago ; The Water
Babies .
Dorman, Susann. “Hypatia and Callista:
The Initial Skirmish between Kingsley and Newman,” Nineteenth-Century Fiction
Vol. 34, No. 2 (September 1979): 173-193.
Dorman argues that the battle lines of the 1864 Kingsley-Newman controversy
were drawn a decade earlier in the two ideologically opposite novels, Kingsley’s
Hypatia and Newman’s Callista. “. . . it is clear
that the seed of the 1864 conflict which culminated in Newman’s personally
triumphant Apologia Pro Vita Sua is deeply rooted in the philosophical
antithesis between the novels Hypatia and Callista” (193).
Dorman also suggests that the criticism Kingsley received from Pusey for
his novel’s alleged immorality, and his subsequent humiliation, strengthened
his resolve not to be humiliated afresh years later but to make a strong
attack on Newman in his 1864 pamphlet.
Newman
Controversy ; Hypatia .
Downes, David Anthony. “Reverend Charles
Kingsley: Prophet of Convulsion,” in The Temper of Victorian Belief: Studies
in the Religious Novels of Pater, Kingsley, and Newman (New York: Twayne,
1972): 48-81.
Downes examines Kingsley’s style, which he terms “plain prophecy”, and his
religious views. He also discusses differences in style and temper
between Kingsley and Newman, arguing that time has effected a “monumental
irony on historical and critical judgment”. He considers Newman to be
a “medieval personalist” whereas Kingsley is a “prophetical modernist” (81).
Hypatia, argues Downes from his lengthy treatment of the novel,
“represents Kingsley’s search for a way of expressing how religious faith
in Christianity happens, and what it means in the most concrete personalist
terms his imagination would conjure. However philosophically vague,
there is an attempt at a kind of phenomenology of faith, what Newman called
‘a grammar of assent.’ The tenability of Christianity as believable
by people encountering their worlds on the most basic human levels is what
Kingsley was striving to examine” (79).
Religion
; Newman
; Hypatia;
History
.
Hartley, Allan John. The
Novels of Charles Kingsley: A Christian Social Interpretation (Folkestone:
The Hour-Glass Press, 1977).
Hartley in this book-length study interprets Kingsley's
novels in the light of the influence of the Christian Social Movement. He
contends that Kingsley is unusual in using novels to set forth the message
of one whom he, together with many others, viewed as the age's greatest prophet,
F. D. Maurice. "The value of Kingsley's novels ultimately lies less in their
advocacy of liberality and reform, than in their insistent justification
of both on the basis of Christian humanism. Kingsley's inspiration
sprang from Maurice whose reading of the Bible had shown his disciple the
meaning, both of Christianity and of history, and the novels proclaim that
social improvement had necessarily to proceed within the existing framework
of society, which for Kingsley meant a Christian dispensation based on Commandments
engraven on tablets of stone and interpreted by sacrificial love. A
minor prophet proclaiming a minor one, Kingsley thus added a new dimension
to the novel" (169).
Christian
Socialism ; Maurice ;
Religion
; Social
and Political Views ; Novels ;
Yeast
; Alton
Locke ; Hypatia ;
Westward
Ho! ; Two Years
Ago ; Hereward
the Wake .
Hawley, John C., S.J. “Newman
the Novelist,” America Vol. 163, No. 18 (Dec 8, 1990): 455-457.
Hawley contrasts the opinions of Kingsley and
Newman on marriage, sexuality, and celibacy especially as these are presented
in their literary works. "In Loss and Gain and Callista Newman
enshrined celibacy as a prophetic witness to the spiritual life. Kingsley
countered in his seven novels with his enshrinement of marriage as the highest
Christian vocation, and coupled his praise with portrayals of celibate men
and women who were fearful, untrustworthy and effeminate" (457).
Newman ;
Hypatia
; Saint's
Tragedy, The ; Sexuality
; Celibacy
.
Howells, W. D. “Charles Kingsley’s Hypatia
,” in Heroines of Fiction Vol. II (New York and London: Harper &
Brothers, 1901): 1-13.
Howells examines the novel Hypatia and concludes that it was not an
artistic success. Though capable of writing a greater work about fifth
century Alexandria, Kingsley failed in his attempt mainly due to the weak
representation of Hypatia herself, an unattractive and “rather repellent”
character (6). Howells considers Kingsley’s novel to be on a far higher
plane than Bulwer Lytton’s The Last Days of Pompeii, yet falls below
it in artistic effect. While Bulwer was at least a melodramatist, “Kingsley
was no dramatist at all, but an exalted moralist willing to borrow the theatre
for the ends of the church. If we realize this we shall understand
why his figures seem to have come out of the property-room by way of the
vestry” (8). Howells praises Alton Locke for its potent protest
against aspects of society’s injustices, yet criticizes it on artistic grounds
as being excessively polemical.
Hypatia;
Characterization
in Novels ; Reception of
Kingsley's Works ; Lytton, Bulwer
.
Lackey, Lionel. “Kingsley’s Hypatia
: Foes Ever New,” The Victorian Newsletter No. 87 (Spring 1995): 1-4.
Lackey examines the theme and structure of Hypatia. The novel’s
pejorative depiction of many aspects of the early Church was met with much
disfavor by many religiously conservative critics. Though the novel’s
ostensible thesis, according to Lackey, is that the early Church despite
its faults was better than the atheism it replaced, the true thesis is that
this Church’s bigotry, persecution, and violence are far from real Christianity.
Lackey ends by suggesting that a consideration of Kingsley’s views may still
be relevant in today’s complex civilization; he “poses an alternative to
the poles of a destructive Christianity and a soulless intellectualism” (4).
Hypatia;
Religion
; Social
and Political Views .
Lankewish, Vincent A. “Love Among the Ruins:
The Catacombs, the Closet, and the Victorian ‘Early Christian’ Novel,” Victorian
Literature and Culture Vol. 28, No. 2 (Sept 2000): 239-273.
Lankewish considers the Newman-Kingsley debate in the context of Kingsley's
antipathy to what he perceived as Catholics' unnatural attitude toward sex,
especially the Tractarian and Catholic depiction of Christ as spouse, and
their embrace of celibacy which Kingsley frequently regarded as effeminacy.
Kingsley, declares Lankewish, believed that it was only through such relations
as marriage, parenthood, and family that God could be truly known. Lankewish
also discusses Newman's possible homosexuality and Kingsley's attitude to
it. He argues that a consideration of the sexual context of the Newman-Kingsley
dispute provides a useful background to the study of the Victorian Early
Christian novel. He contends, in particular, "that the Hypatia/Callista
conflict not only anticipated the theological debate that erupted between
Kingsley and Newman in 1864, but foreshadowed the gender and sexual tensions
inherent within that debate as well. Through the representation of
the spiritual marriages between Christians and Christ that Kingsley found
so deplorable, Early Christian novels by Wiseman, Newman, and Pater coopt
the genre and transform it into a charged site for the articulation of sexual
difference and, most specifically in Pater's case, of male-male desire" (252).
Newman
Controversy ; Hypatia ;
Sexuality
; Celibacy
; Religion
.
Litvack, Leon B. “Callista, Martyrdom,
and the Early Christian Novel in the Victorian Age,” Nineteenth-Century
Contexts Vol. 17, No. 2 (1993): 159-173.
A primary goal of Hypatia, or, New Foes with an Old Face, according
to Litvack, was to question deeply held Roman Catholic principles and views
of history of such as Newman and Wiseman, authors themselves of martyrological
historical novels Callista (1855) and Fabiola (1854) respectively.
Kingsley throughout Hypatia, written in the early days of his growing
antagonism to Newman, disparages aspects of the Patristic age and especially
the 5th century when Christianity was the state religion. By depicting
the 5th century Church as corrupt and tyrannical, Kingsley was attacking the
contemporary English Roman Catholic Church which was rapidly growing in influence.
“Kingsley enjoins his readers to look to themselves for justification – not
to the past, in which he finds little support for his faith” (165).
Hypatia;
Catholicism
; Newman
; History
.
Maynard, John. “Victorian Discourses on
Sexuality and Religion,” University of Hartford Studies in Literature
Vol. 19, Nos 2 & 3 (1987): 61-69.
For Kingsley, according to Maynard, religion and sexuality are thoroughly
intermingled. His dislike of Newman stemmed in large part from his strong
aversion to religious celibacy. However, all forms of sexual license
for Kingsley were anathema. The proper place for sexuality was within
marriage, with only one marriage in a lifetime. “Celibacy is religion
without sex; licentiousness, sex without religion. The via media for
Kingsley, married religious sexuality, allows one unified discourse: married
sexuality repairs the Fall and leads us from earth to heaven, which is only
more – and more intensely – of the same” (63). Kingsley also depicts
competing types of sexuality in certain of his writings. For example,
in Hypatia the struggle between the intellectual views of different
religious groups in 5th century Alexandria may be seen as just as much a
competition of opposite sexual styles. Similarly, Westward Ho!
may be understood from the standpoint of opposite sexual religious world
views as the conflict “between chaste, successful Protestants and lewd, unsuccessful
Spanish Catholics” (64).
Religion
; Sexuality
; Celibacy
; Hypatia
; Westward
Ho! .
McAlpin, Edwin A. "The Conflict Between
Theology and Spirituality. Hypatia, by Kingsley," Old and New Books
as Life Teachers (Garden City, New York: Doubleday, Doran, 1928): 109-124.
After briefly sketching several other of Kingsley’s novels, McAlpin provides
a longer though not very substantive account of Hypatia. “Without
defining his conviction in words Kingsley indicates in the experience of
Raphael Aben-Ezra the supreme importance of Christianity as a life rather
than as a set of theological doctrines and dogmas” (121-22).
Hypatia.
McCabe, Joseph. “Hypatia,” The Critic
43, no. 3 (September 1903): 267-272.
McCabe strongly criticizes Kingsley’s depiction of Hypatia in the novel of
the same name. It is “gravely unjust and misleading”. It is far from a true
historical account, McCabe contending that an assiduous examination of the
admittedly sparse authorities would result in “a far more commanding personage”
than Kingsley’s portrait. In particular, the historical Hypatia, argues McCabe,
was a much more serious and prominent intellectual figure in Alexandria than
the picture presented by Kingsley. “It is impossible to conceive her pouring
out the dithyrambs in which Mr. Kingsley’s naïve maiden delights, or
as allying herself with a repulsive old hag in a series of incantations to
Apollo and believing he would appear in bodily form” (271).
Hypatia.
Mendelson, Alan. “Two Glimpses of Philo in Modern
English Literature: Works by Charles Kingsley and Francis Warner,”
The Studia Philonica Annual: Studies in Hellenistic Judaism
Vol. III (Atlanta, GA: Scholars Press, 1991): 328-343.
Mendelson examines the treatment of Philo and his views in Kingsley’s historical
novel Hypatia and in his series of lectures Alexandria and Her
Schools delivered at Edinburgh’s Philosophical Institution in 1854. Mendelson’s
analysis also extends to Kingsley’s treatment of the Jews and Judaism. Both
of the latter, writes Mendelson, are dealt with in very pejorative terms,
with Kingsley consistently displaying anti-Jewish rancour and bigotry.
Hypatia;
Philo
; Anti-semitism
Prickett, Stephen. “Purging Christianity
of its Semitic Origins: Kingsley, Arnold and the Bible,” in Juliet John and
Alice Jenkins (eds.). Rethinking Victorian Culture (London: Macmillan,
2000): 63-79.
Prickett examines the role of pagan civilization and the Church in Hypatia
. Kingsley is favorable to neither. Rather, his theory of history
leads him to admire the Teutonic races who are civilization’s future.
The Catholicism of fourth-century Alexandria is as doomed as the pagan world
it supplanted. It is merely a proto-Christianity that is “saved only
by the presence within it of certain forward-looking characters who dimly
foreshadow, as it were, the coming age of Teutonic Protestantism a thousand
years in the future” (68-9).
Hypatia;
Religion
; Racial
Prejudices ; Anti-semitism
; Arnold,
Matthew .
Scott, Patrick. "Charles Kingsley," in
Dictionary of Literary Biography, Volume 21. Victorian
Novelists Before 1885. Edited by Ira B. Nadel and William E. Fredeman
(Detroit: Gale, 1983): 195-207.
This follows the usual format of the DLB. A bibliography of
Kingsley’s own works is followed by an account of his life interspersed with
an analysis of his major writings, in this case his novels. A short
secondary bibliography is appended. Several illustrations are also
provided. Scott sums up Kingsley the novelist as follows: ‘If Kingsley
never wrote a great work or an unflawed masterpiece, he can now, in light
of the new biographical evidence, be recognized as a writer of considerable
psychological complexity, one who produced searching and imaginative responses
to some of the central issues of the late 1840s” (206).
Overview
; Novels
; Alton
Locke ; Yeast
; Westward
Ho! ; Two Years
Ago ; Hypatia
; Hereward
the Wake .
Smith, Sheila, and Peter Denman. “Mid-Victorian
Novelists,” in Arthur Pollard (ed.) The Victorians (New York: Peter
Bedrick, 1987, c. 1970): 239-285.
Smith and Denman survey Kingsley’s novels. Yeast and Alton
Locke are his best. Yeast was the first novel devoted to
the notion that unsanitary conditions and disease existed in the countryside
as well as in the towns and cities. A “courageous” novel, it also provided
some indication “of the sexual squalor of the poor” (254, 253). Though
radical views are expressed in the novel, Smith and Denman declare that Kingsley
did not believe in democracy. “In his novels, as in Disraeli’s, the
independence of the lower orders must be achieved within the existing class-structure”
(255). Though Alton Locke has powerful scenes, its propaganda
takes precedence over the novel and its characters. Though Two Years Ago
has some good scenes, it is a “long-winded novel” (260). Smith and
Denman have little positive to say of Hypatia and Westward Ho!
, but state that The Water-Babies is Kingsley’s “most attractive book”
(260). “Charles Kingsley is a minor novelist, but in Yeast, Alton
Locke and Two Years Ago he helped to extend the novel’s subject
matter, and to make it more serious, more concerned with reality. He
saw God, Heaven and Hell in human terms. This was an asset to him as
a novelist, and gave substance to his novels” (261).
Novels ;
Yeast
; Alton
Locke ; Two Years
Ago ; Hypatia
; Westward
Ho! ; Social
and Political Views .
Vance, Norman. The Sinews of the Spirit:
The Ideal of Christian Manliness in Victorian Literature and Religious Thought
(Cambridge: Cambridge University Press, 1985).
Vance devotes two chapters to Kingsley's life, thought, and literary works
paying particular attention to themes of the relationship of manliness to
religion in his novels. "Christian manliness was not just an ideal in
Kingsley's fiction, it was the basis of his practical work as pastor, teacher
and reformer and the essence of his life and experience" (107).
Overview
; Yeast
; Alton
Locke ; Hypatia ;
Westward
Ho! ; Two Years
Ago ; Hereward
the Wake ; Muscular
Christianity ; Manliness
; Newman
Controversy .
Wheeler, Michael. The Old Enemies: Catholic
and Protestant in Nineteenth-Century English Culture. Cambridge: Cambridge
University Press, 2006.
Wheeler’s book analyzes the cultural and religious conflicts and divisions
between Catholics and Protestants in Britain from the Reformation through
the nineteenth century. Wheeler is particularly interested in how writers
and other intellectuals interpreted the religious debates. He considers Kingsley’s
views, especially as revealed in Hypatia and Westward Ho! A
major focus of Hypatia is the vehement criticism of Catholic martyrology.
Wheeler contends that though Kingsley in his role of theologian and scientist
was a seeker of truth, as a novelist and historian in Hypatia he was
more intent on distorting ecclesiastical history to support what he considered
a higher truth, the truth of Protestantism as against the lies of Catholicism.
Religion;
Catholicism;
Hypatia;
The Water-Babies.
Wolff, Robert Lee. Gains and Losses:
Novels of Faith and Doubt in Victorian England (New York and London:
Garland, 1977).
Wolff praises Hypatia’s “vivid and engaging prose style”, its historical
authenticity, the depiction of Hypatia, and its readability. He writes
that Kingsley had two main intentions in writing the novel. He was criticizing
Transcendentalism, held by Emerson and others, wishing “to illustrate the
dangers of the intellectual arrogance which falsely persuaded individual
human beings that they could seek and find their own deity, ignoring the
Church and religious tradition” (274). Also, suspicious of the intellect
and believing that the only path to faith was through emotional commitment,
Kingsley was attacking the Tractarians and converts like Newman whom he held
were “groping in the dead past for outworn dogmas and practices” (275).
Hypatia;
Emerson
; Transcendentalism
; Catholicism
; Celibacy
.
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